Dramatic structure InGustav Freytag, a German writer, advocated a model based upon Aristotle's theory of tragedy. This is now called "Freytag's pyramid," which divides a drama into five parts, and provides function to each part.
He is relieved by Barnardo, who is joined shortly by Horatio and Marcellus. Barnardo and Marcellus reveal that they have witnessed an apparition: Horatio says 'tis but our fantasy, and will not let belief take hold of him, Touching this dreaded sight twice seen of us 1.
The Ghost of the late king of Denmark appears and promptly withdraws into the night. Horatio recognizes the armour covering the Ghost and remarks that it is the very armour that the King wore "when he the ambitious Norway combated" 1. Barnardo, Marcellus, and Horatio suspect that the appearance of the ghostly King is an ominous message to all of Denmark, as they prepare for war with Norway.
Horatio pleads with the apparition to reveal its intentions: The Ghost, however, refuses to speak, and disappears as the cock crows. Horatio decides to tell Prince Hamlet all that has transpired, for he knows that the Ghost will only reveal his purpose to his son.
Act 1, Scene 2 The scene opens with King Claudius of Denmark giving a magnificently ostentatious speech on the death of his brother and his marriage to Queen Gertrudehis sister-in-law and Hamlet's mother.
Claudius dispatches two of his courtiers, Cornelius and Voltimandto Norway as peacekeepers, and he grants Laertes, who has come to Denmark specifically for the coronation of Claudius, permission to return to his studies in France.
With such matters attended to, Claudius focuses on his troublesome nephew. He commends Hamlet on the length and severity of his mourning, but insists that his "unmanly" grief must come to an end. He reassures Hamlet that his father lost a father, and his father before him, and so on.
He implores Hamlet not to return to his studies in Wittenberg, but to remain in Denmark to fulfill his role of courtier, cousin, and son. Gertrude also pleads with Hamlet to stay, and calmly, he agrees: Satisfied with Hamlet's answer, the royal couple leave the room.
Hamlet is left alone to expound his consuming rage and disgust at his mother for her incestuous marriage to Claudius, within a month of his father's death: O God, a beast that wants discourse of reason Would have mourn'd longer, --married with my uncle, My father's brother, but no more like my father Than I to Hercules: They tell him that the Ghost of his father has appeared on the castle wall, and Hamlet is at first shocked and disturbed: The three further describe the Ghost to Hamlet -- his silvered beard, his pale and sorrowful countenance, his full body armour -- and, with excitement Hamlet agrees to meet them on the platform, "twixt eleven and twelve.
He will be the next king, and as such his wants must yield to the demands and interests of the citizens of Denmark. When it is no longer convenient or appropriate for Hamlet to love her, Laertes cautions, he will cast her aside.
Ophelia defends Hamlet and Laertes lovingly responds "O, fear me not" 1. Their father, Poloniusenters the room and agrees that Ophelia has been seeing far too much of Hamlet.
He begins a rant on the state of young men's morality, insisting that passion causes them to make false vows. He forbids Ophelia from seeing Hamlet again, and she respectfully obeys. Act 1, Scene 4 Shortly before midnight, Hamlet meets Horatio on the battlements of the castle.
They wait together in the darkness. From below they hear the sound of the men in the castle laughing and dancing riotously; the King draining his "draughts of Rhenish down.
To Hamlet, drinking to excess has ruined the whole nationwhich is known as a land full of drunken swines abroad. It takes away the country's accomplishments and renders men weak and corrupt.
Then Horatio spots the Ghost approaching.The Seven Basic Plots: Why We Tell Stories is a book by Christopher Booker containing a Jungian-influenced analysis of stories and their psychological srmvision.com had worked on .
A short summary of Maya Angelou's I Know Why the Caged Bird Sings. This free synopsis covers all the crucial plot points of I Know Why the Caged Bird Sings. Summary. Dante Alighieri is the author of the Divine Comedy.
He is a famous Italian epic poet. Dante was born into a middle-class Florentine family. Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city.
Brabantio comes to the window and Iago tells him to dress at once and come down, for "an old black ram/Is tupping your white ewe" (I.i). Unable to understand Iago's reference to the union of Othello and Desdemona, Brabantio demands to know why they are bothering him at such a late hour.
The protagonist of “I Want to Know Why” is an unnamed boy nearing his sixteenth birthday. The events that he relates have occurred almost a year previously, just as he turned fifteen. The boy.